Write a comment serious, objective and disenchanted by "The Lovely Bones" by Peter Jackson is not easy.
Not for many reasons.
The first and Most importantly, in a forced and necessary to search within themselves and their own conscience.
A research that, after watching the film, leads to a Babel of diverse emotions and mature reflection.
possible, therefore, that the latter work of award-winning Peter Jackson could so deeply investigate the intricacies of the most mysterious and unresolved issues that the man is at the center of his life since the dawn of time?
possible that the director of New Zealand to the gradual realization of a desirable life-after alternative to the death with a delicacy and a parallel and unprecedented grotesque drama?
The answer changes. The key variable is the viewer. Only he can decide to open his heart and being pierced by this beautiful, delicate and visionary apology or close to life in a silent approval that could not get him to understand the film in its entirety.
A review of "The Lovely Bones" and free of false morality aretorica deserves to be analyzed without any hesitation, regardless of the type of player that can run into it.
This' must be done to preserve their own opinion and do not influence the opinions and emotions of those who have not yet been able to observe closely the work.
Norristown, Pennsilvanya, United States. 1973.
year old, wicked man of great change.
In a bustle of political and social changes that are never reversible, Susan Salmon live the normal life of any kind of fourteen.
Protected by the love of parents and a strong relationship with his sister and younger brother, is going to look out at life with the natural and fear that characterized his age.
One afternoon in December, Susie, the first positive effects of emotional experiences of love when the guy that was charmed, he expressed interest in deepening his knowledge.
Returning home, the girl runs into his neighbor who, lured to a tunnel in a artisan wheat field, Susie abuses and kills her. The pre-adolescent
leaves his body and begins a dreamy and visionary journey into the suo personalissimo limbo a metà tra terra e paradiso dove osserva con ironia,distaccamento e saggezza gli avvenimenti postumi al suo prematuro decesso.
Questo è il tragico,cinico e malinconico incipit di “AMABILI RESTI”.
La riflessione inizia dove la povera quattordicenne finisce tragicamente e,paradossalmente,il percorso celestiale della ragazza ,si diparte dove essa aveva lasciato il suo operato del tutto incompiuto.
La vita nel limbo si avvia definitivamente quando Susie è conscia di non aver accettato la sua morte così umiliante e priva di dignità. Quando è conscia di non aver potuto realizzare il sogno della sua vita. Il suo primo bacio.
Elementi che la costringeranno to deal with emotional whirlwind of a considerable scope and deal with hate, revenge, friendship, love and the irrepressible desire to return among his loved ones.
"The Lovely Bones" is a poignant and surreal journey that aims to stimulate feelings perhaps forgotten succeeding admirably.
It 's the son of an ideally perfect book and a father of impressionist view of life post-mortem.
It 's a lovely, melancholy visual harmony that never expires in the melodramatic, backed by a realism and relevance that affect the viewer.
Peter Jackson almost certainly a bad taste in the playful and dreamy "Heaven" Susie, but in the dramatic moments and offers a spectacular view of the delicate and saturated purgatory every fourteen should be desired and the obvious decline of the relationship between husband and wife who can not accept impunity daughter's death.
This' is most striking is the extraordinary relevance of history to social issues addressed and the most recent paintings with a blend of shooting and editing by distant target Hollywood.
With a key to understanding ancestral but secular, the Susie's is narrated as a place where there is no deity but only the imagination and emotions of its transient population.
In this way, the director, leaving a middle earth fantasy populated by wizards and urukhai and, paradoxically, he came back to paint a hymn to life and more in-depth reflections on very hot at the time. Pedophilia, rape, serial murder, the fear of a fragile security even in the suburbs of the towns most peaceful country, the scoinvolgimento of a lifetime, the loss of the beloved and eldest daughter.
to all this is added the complex and critical decision to transmigrate the fulcrum on which the book focuses on issues far less gruesome.
Acceptance of the most humiliating of deaths door, in the book, a serious and moving analysis of the sexuality of the protagonist who describes with tender precision and macabre posting the details of his death.
The target of the film provides, however, wide public attention to adolescent and have to deal with the topics most gruesome so cleverly concealed.
To be more accessible to the general public, then, the film is stripped of the most violent and related to the sexual sphere to concentrate on the acceptance of death and a love of Plato's vision clearly.
"The Lovely Bones" is a film that excites and moves. Only the original plot comes from the book could do that.
It seems, however, that Peter Jackson has not provided a reinterpretation of the book but a revision of history perfectly pertinente a quella scritta da Alice Sebold che ,però, si concentra su dettagli più “cinematografici”.
Ne è un esempio la descrizione di un limbo pre-paradisiaco così intensa , naif e prepotentemente personale che giustifica e raffigura le dichiarate lacrime del regista versate sulle pagine del libro.
A rendere grande questo progetto non collabora solo la regia e la grafica CGI ma anche un'accurata selezione del cast.
Mark Whalberg è stato descritto come “inespressivo e scarsamente caratterizzante”, Rachel Weisz è stata apostrofata come “mal impiegata o poco visibile”.
Viene da chiedersi quale film sia stato visto da critici di cotanta stature.
The truth is very different.
Whalberg in the role of Jack Salmon is perfectly convinciente Weisz as well as the need to meet the needs of the script remains a formidable character-class that provides a role as a mother devastated by the pain of pregievole invoice.
Susan Sarandon is the grandmother who supports the flawed script with moments of remarkable comic REQUIRED not to lead the viewer to a sudden depression.
The themes of the film are strong and the role of Susie Salmon takes skill and expressive mind can bear an obvious centralization of attention.
Here, Jackson, not si sbaglia e ,se la scelta dei tempi e la selezione dei temi pare evidentemente resecata rispetto al romanzo, l'affidamento della parte della giovane ragazzina è ponderata.
Il Neozelandese si affida ad una sensazionale Saoirse Ronan.
Impossibile descrivere la perfezione,la profondità e il realismo dell'interpretazione.
Il distaccamento che,solitamente, contraddistingue la vita reale e la finzione cinematografica, grazie alla scelta di una simile protagonista viene totalmente a mancare.
Impossibile non fermarsi a riflettere sull'ingiusta e prematura fine di un'entità così delicata e indifesa. A questa malinconica sensazione (che accompagna lo spettatore per tutta la durata del film e anche dopo) concorre l'aspetto fisico della Ronan. Se ne sono accorti specialisti della fotografia e look maker che hanno enfatizzato la purezza del viso e la spettacolare scala cromatica degli occhi ,le cui immagini sono state scelte dalle migliori riviste di cinema come copertine.
Giunti a tal punto , ci si potrebe chiedere per qual fine si dovrebbe assistere ad una proiezione di “Amabili Resti” se ciò che scaturisce è una incomprimibile sensazione di tristezza e commozione.
Il film arrichisce chiunque sia in grado di aprirsi ad esso.
E' un corposo e composto turbinio di sensazioni che vengono troppo spesso represse e si manifestano in una serie di quesiti che possono trovare risposta solo riflettendo carefully.
Why should deserve a life to be broken in this way?
How despicable policy, a lovely and innocent girl should be selected for death?
What an incredible strength and true conviction, carries a soul so cruelly deprived of her body to become aware of his death?
With what pain is possible to understand that revenge is a feeling useless when it is perpetrated in their own death?
How dare you mature and you decide, finally, having to leave the limbo and face so perfect awareness of the abandonment of their beloved family members?
am many questions which ask the viewer can change the conclusion of the film and subjectively.
A realistically describe this unwieldy mixture of content, the myth that working ages: Peter Jackson. The New Zealand away from the vision of the Hollywood star system that aims only to perform flawlessly in his work. We can perfectly
floors with spectacular natural panoramas and virtual, substantial and detailed close-ups and mounting intelligent and studied.
The compromising and complex figure of the serial killer is dealt with masterfully by a resounding Stanley Tucci. A cornerstone of the film regardless of the uncomfortable role dealt with a mastery that has no equal.
The camera system is traditional photography oversaturated sequences in "celestial" and outrageously realistic in their time of life on earth.
cameras to film with 35 mm focal length.
"The Lovely Bones" is a complete masterpiece in half.
E 'brave and successful attempt to describe the overall absurdity of a murder and everything that comes after it with grace and experimental fantasy element, the latter which will generate considerable difference in opinion in the audience.
impressed by the choices.
The timing, of the ways, the perfect recreation of Norristown 70 a year with an almost documentary and music in the balance between aggression and uncontrollable sadness.
may be appreciated only by a sensitive and enlightened portion of the public who can not remain impassive before the awful reality of a young life so monstrously broken from the curious metempsychosis final assembly to a sharp turn that reveals to us that the poor and wretched remains of Susie, the narrator so intimate and sincere, will never be found.
You can not help being astonished by the gradual and painful acceptance of the loss of the father and the family that will never lose the memory of death as first-born can not be easy to forget the harrowing final sequence that aims to realize the dream of a Susie who is still strongly linked to the real world.
The film ends, perhaps trivial, but the touching final reflection builds on a framework of realistic and evocative images that is unlikely to abandon them.
wish for Susie addressed the audience in the final sequence deserves to be honored and creates an ambiguous sense of melancholy and enrichment, which makes "The Lovely Bones," a cinematic experience of rare and broad-minded, graceful and elegant beauty.
